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Your Visual Guide To The Timeless Queens Of Pin-Up

This appeared on a cigarette card from the "Real Photographs" series issued by the manufacturers of State Express and Ardath Cigarettes. Frederic Lewis/Getty Images Pin-up portrait of Gypsy Rose Lee seated on a pedestal, wearing a slit gown, circa 1938. The Print Collector/Print Collector/Getty Images Ruth Colman pictured here circa 1938. This pin-up portrait appeared on a cigarette card from the "Modern Beauties" series, issued by the British-American Tobacco Company. Gil Elvgren/Underwood Archives/Getty Images One of famed pin-up artist Gil Elvgren's paintings, c. 1940, titled "Caught in the Draft." PhotoQuest/Getty Images Ann Savage presents a preview of what the well-dressed lady will wear in the wint... http://www.huffingtonpost.com/2016/02/02/your-visual-guide-to-the-timeless-queens-of-pin-up_n_9148998.html

'Paterson': Driver takes control of city bus, lets Jarmusch's hipster haven have its way

Paterson at the bar top. The cinematography by Frederic Elmes, who started out doing “Eraserhead” with David Lynch and has partnered with Jarmusch on several projects, captures the town in somber, reflective ways that mirror Paterson’s words and Williams’ observations. The film as a whole never flags in tenor, pace or mood. It’s the same focused, yet free-styled approach that has borne delight and revelation in Jarmusch’s works from the kooky-cousin dark comedy, “Stranger Than Paradise” (1984) to the bitingly blasé vampire chronicle, “Only Lovers Left Alive” (2013). Personally I’ve always been partial to “Mystery Train” (1989) and “Broken Flowers” (2005), while the pop of “Dead Man” (1995) has always eluded me, no matter how riveted I am by its gorgeous composition. Beyond arty quirk, which Jarmusch seemingly has a patent on, the defining stamp on any of the indie auteur’s endeavors has always been their immeasurable depth of intimacy and fullness of character. They’re immersive experiences that engross from the inside out. “Paterson” is an exemplar in that regard, plumbing the passion for meter and the banality of the everyday while tapping into the rhythm and flow of the human condition. Tom Meek is a longtime contributing film critic at the WBUR’s ARTery, the Charleston City Paper, New England Cable News and the former Boston Phoenix. He is also the president of the Boston Society of Film Critics. His short stories and articles have appeared in Slab, Open Windows, The Rumpus and The Boston Globe. Tom is also a writing instructor at Grub Street in Boston and rides his bike everywhere. His Twitter handle is @TBMeek3. img alt="twitter" title="Share on Twitter" class="synved-share-image synved-social-image synved-social-image-share" widt... http://www.cambridgeday.com/2017/01/19/paterson-driver-takes-control-of-city-bus-lets-jarmuschs-hipster-haven-have-its-way/